Sculpture. Ceramics and porcelain

Seven paintings. For the Art School project (with Volodymyr Budnikov and Oleksandr Babak. Curated by Valerii Sakharuk)

"There is no dress more beautiful in the world than the bronze of muscles and the freshness of skin" (V. Mayakovsky) 

Anatomy (from the Greek "anatome" - dissection)

I once liked the story of the butcher mentioned by Baudrillard in Symbolic Exchange and Death. There, the butcher talked about his knife, the blade of which always hit the voids between the lumps of joints with great skill. In this way, the butcher could cut through the body of a dead animal with ease, and his knife did not need to be sharpened because it did not come across hard bones.

Shelter* (with Volodymyr Budnikov)(2015)

Series of 12 paintings, 200 x 150, acrylic on canvas

A perilous rift is born of the ambiguity of war and peace, the abyss that the essence sinks into. It perishes while the world scatters in panic. In the spaces that we expected to offer us the salvation of values opens the abyss, an absence, an unsprung trap. We slip into the rift between wrongdoing and the crime of omission.

Poet’s Refuge* (with Volodymyr Budnikov)

Oh shining world! Oh quiet world!

Oh free, unswaddled world!

Why, then, my brother-world,

In your kind, warm home

Are you chained and walled

(So wise, yet fooled)

Bound with purple

And finished off with the crucifix?

A Lost Place. Series of digital photos

Works on paper, from the “diary” series

Vlada Ralko’s Kyiv Diary, which begun with the December protests on Maidan and covered the active phase of hostilities in Eastern Ukraine, was compiled in 2013-2015. It is comprised of almost 400 regular A4 sheets of paper filled with drawings in ballpoint pen or watercolours, metaphorically representing the events, feelings, fears and hopes that held sway over us all, completely subjugating our daily life. The experience of reality changed by war is the key motif of the Kyiv Diary. (Oksana Barshynova)

Series of works on paper

The body compartmentalized by clothes, or simply empty clothes, is a metaphor for the separation of everything related to culture from ordinary human needs, such as drinking water or breathing. In other words, the human (dead or simulated) is separated from the living, but purely biological.

The body, loaded with a dead cultural heritage, cannot stand it and begins to turn into clothes or even run away. But the lack of a "protagonist" doesn't seem to bother the simulated culture, which is dizzyingly reproduced in "new collections".

Paintings, works on paper

Observing the body of landscape is sometimes similar to yearning of being able to painlessly transcend our own boundaries that separate us from external world. It is close to a child’s desire to have the ability to walk through the walls.

Still, on the other hand, the surface of the world has miraculous ability to convert the secret into accessible object, seducing the spectator with the opportunity to exchange invisible, obscure, unclear for visible, material, bodily.

sculpture and wall objects. Iron, composite aluminum, automotive enamel

The Heat project was provoked by the very call of the place, when the Crimean settlement, remote from the capital's audience, not only inspired but also attracted the work. All the work on the objects took place in Gurzuf. At first, the objects were planned to be implanted into the body of the space where they were created, wrapping them in the aura of the place. Next, we wanted to move the project forward by recreating it in new conditions. (Vlada Ralko, Volodymyr Budnikov)