Excerpts of memories are removed from their contexts and are reminiscent of disputes of the past that somehow continue to seed the future. As a result each picture is directed towards the past and the future at the same time, and is thereby in correlation with the actual course of events that slides, phantom-like, past the logic of linear time. Visual elements are attracted together and grouped here in the form of nonsense, unexpected silhouettes, and unfamiliar sounds, which sometim

es form words through long and methodical repetition. Such a sound also suddenly turns out to be removed from the content. It has no place in an ordinary sentence. What is depicted in the School Wool drawings also seems to fall outside of the established truth of the past, until the absurd fragmentary flashes of memories become personal property, marking the place where intimate and historical narrations meet.